Barry McGee Quotes

Welcome to the world of Barry McGee, where art meets urban culture in a vibrant explosion of color and form. Barry McGee, also known as Twist, is a renowned contemporary artist whose work traverses the realms of graffiti, street art, and fine art. With a distinctive style characterized by geometric patterns, caricature-like figures, and an infusion of urban iconography, McGee’s pieces are not only visually striking but also carry profound messages about society, identity, and the human condition.

Hailing from San Francisco, McGee emerged from the graffiti subculture of the 1980s and has since gained international acclaim for his dynamic installations, paintings, and sculptures. His art often reflects the gritty energy of city life, incorporating elements of skateboarding, punk rock, and hip-hop culture. Through his innovative use of materials and spaces, McGee challenges conventional notions of art and invites viewers to reconsider their surroundings with fresh perspectives.

Below, you’ll find a curated collection of Barry McGee quotes that encapsulate his artistic vision, creative process, and insights into the world around us. Whether you’re seeking inspiration for your own artistic endeavors or simply intrigued by McGee’s unique perspective, these quotes offer a glimpse into the mind of a true visionary. Feel free to use them as inspiration for your own creative projects, whether you choose to display them on an image, play with stylish fonts, or simply reflect on their wisdom.

The parts of graffiti I like are really antagonizing still – it’s not something that a museum would really embrace. Barry McGee

For me, graffiti means making marks on surfaces using just about anything, be it markers, spray, paint, chalk, lipstick, varnish, ink. Or it can be the result of scratches and incisions. The aim is to maintain the energy created by disturbance or excitement in the street. Barry McGee

I like the idea that you can paint something outdoors, and anyone can see it. It’s open to anyone, and people have to deal with it. In the gallery, it’s the same 150 people on the San Francisco art scene. There’s a dynamic on the street that’s definitely more interesting. Barry McGee

I wasn’t trying to turn graffiti into an art form. I just wanted to learn about art. I wanted to learn this game. Barry McGee

Most inspiration still comes from bicycling around San Francisco. This city never fails to inspire me. It is one of the most vibrant cities – especially visually – with a constant influx of young energy arriving daily. I love it. Barry McGee

I’m really into California art from the ’60s. Barry McGee

I read in a weird way. It comes in waves, and then I start, like, five different books at once. It takes me six months to a year to finish them all, since I read mostly on planes. Barry McGee

My artwork gets stolen all the time; it’s ridiculous. Barry McGee

As soon as I start reading, drawing comes to me more easily. I find I work in my sketchbooks more. But if I’m working on a new show, my reading completely stops except when I’m on a plane. I take a stack of New Yorkers with me. I feel awful about those stacks of New Yorkers. Barry McGee

I’m really into California art from the ’60s. I like a lot of Bay Area artists, like Nathan Oliveira and Bruce Conner. Barry McGee

I want to do just, like, regular art. Whatever is made today on canvas goes up against all of art history. It’s the most radical thing. Barry McGee

Street artists need to get back to actually doing things on the streets instead of in the galleries where they all seem to be ending up. I hope this term ‘street artist’ falls from the face of the earth, in my honest opinion. Barry McGee

It’s very intense to go back to the past and revive work that I’ve already experienced and moved forward from. It’s like seeing an old girlfriend – awkward at times, nostalgic at times and downright maddening and embarrassing. Barry McGee

I love biographies. I read Patti Smith’s ‘Just Kids.’ I’m into that time frame in New York, the ’70s and ’80s. In art school, I read ‘Close to the Knives,’ the autobiography of the artist and AIDS activist David Wojnarowicz. Barry McGee

I have tons of art books. I have them all over the place. They are in my car, in my bag, and in my studio. There are books around me all the time. Barry McGee

Some of my favorite pieces are from thrift shops. When I find something I really love, I live, work and sleep in it. Barry McGee

As soon as street art got popular, I was just like, ‘I’m out of here.’ Barry McGee

Drawings, paintings, and sculptures. That’s the three pillars of art academia. Barry McGee

I see a really good tag on a building, a man passed out in the middle of the street, a couple hugging, a cop arresting a panhandler. I’m interested in how all these things are happening in one block. Barry McGee

Some people are enraged, and some people are applauding. If there were a mission statement for graffiti, that would be it. Barry McGee

If I could get the respect of 14-year-olds, I’m happy. They’re the toughest audience. Barry McGee

I just try to get away with as much as I can. I don’t think that’s very radical in the art world. Barry McGee

Work done illegally outdoors or without permission feels like pure freedom to me. I understand how it can upset many in our society, but in the bigger picture, it is ultimately about freedom. We are living in a time where public space has become a commodity for corporations to control and dictate what is seen and heard. Barry McGee

I love graffiti because it enables kids from every social extraction to do something that brings them closer to art, when they normally wouldn’t be stimulated to be visually creative. Graffiti helps to develop an awareness of immediate expressive and uncontrolled freedom. Barry McGee

Galleries are easier to steal from than the Apple Store, maybe. Barry McGee

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